- N r g instruments of destruction lyrics full version#
- N r g instruments of destruction lyrics movie#
The full version of Lion’s track runs over the end credits, and features what is, unequivocally, the greatest guitar solo of a soundtrack that’s not exactly short on them. The movie’s not even three minutes old, and kids have been introduced to – and had their tiny minds blown by – the greatest villain the Transformers series will ever see, and the most kick-ass version of its classic theme tune to ever be recorded. Instead, Los Angeles rockers Lion come crashing in, and these young ears were immediately electrified. Then comes the title sequence – but not with the theme tune we’ve become accustomed to, as cool as it was. Somewhere out in the depths of space, a colossal, planet-sized robot (by the name of Unicron, a character that quite literally resurfaced in 2017’s Transformers: The Last Knight) devours another planet, and pretty much all of its (also robotic) population.
N r g instruments of destruction lyrics movie#
The movie begins with a sequence of epic destruction. It wasn’t just a rebooting of characters that’d been around since the early 1980s, favourites like (the good ones) Autobot leader Optimus Prime and his (the bad ones) Decepticon rival Megatron – it was also a second swing at cinematic glory for Hasbro’s evergreen toy line, consistently on shelves in one form or another since 1984.Īnd it was that first, animated movie proper, released in 1986 as an extension of the televised cartoon of the time, that not only taught me a thing or two about mortality (no, thanks for that, really), but also opened my ears to heavy metal long before I came across the likes of Metallica, Mötley Crüe and Guns N’ Roses.Īs a primary school-aged kid in the mid-1980s, music wasn’t massively on my radar what with the competition from cartoons on television, BMX-ing, video games and action toys.īut while Transformers on television recycled the same few tunes, the movie – for which producers Sunbow and Marvel (yes, that Marvel – for a while, Transformers and Spider-Man shared a universe) pushed the budget to many times the TV norm – recruited a number of North American metal bands to complement an original, synth-heavy score from Staying Alive composer Vince DiCola.
The franchise – starring gigantic alien robots disguising themselves as Earth vehicles and technology – has seen the gulf between cold profits and critical praise widen remarkably since the first live-action movie of 2007 proved a palatable exercise in both old-timer nostalgia and newcomer satisfaction.īut that wasn’t the robots in disguise’s debut on the silver screen. Transformers today, film-wise, is both a box-office blockbuster and a Razzies regular.
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